NEWS
Knits That Speak, Women That Rise: Kendall Ross and the Art of Women’s Stories
By Jessy Vilchis | WOWMAN | March 4, 2026
In this virtuous circle of history, culture, and women’s art, we find the name Kendall Ross—also known as "I’d Knit That” on social media—a textile artist from Oklahoma City, known for her colorful, hand-knitted art pieces, perfect for wearing but also for giving visibility to the voices of millions of women.
From Le Cordon Bleu to Chelsea College of Arts: The Unlikely Journey of Ceramist Joon Hee Kim
By Serpa | Arch Gallery & Design | February 19, 2026
South Korean-born and Canada-based, Joon Hee Kim has accumulated international awards and works in institutional collections around the world
What You Missed at ZONAMACO 2026
By D. Scott Patria | Observer | February 10, 2026
Notable sales across a range of price points reflected both sustained market confidence and the fair’s increasingly diverse collector base.
Mexico City’s Zona Maco Fair Continues to Draw Upbeat Crowds and Eager Buyers
By Benjamin Sutton | The Art Newspaper | February 6, 2026
Latin America’s foremost art fair, now in its 24th year, remains a magnet for collectors, curators and museum groups from across the Western Hemisphere and beyond.
Fiber Artist Spins a Good Yarn
By Brian Sandford | The New Mexican | January 17, 2025
If Oklahoma City-based fiber artist Kendall Ross misspells a word while working, the solution isn’t as simple as smashing the “backspace” button. Ross knits messages into the oversized clothing she creates, some of which measure 5 feet across. The messages are presented as random thoughts — some addressed to herself, some to friends, some to strangers.
Artist to Watch: Raven Halfmoon Honors Caddo Ancestry with Empowering Sculptures
By Janelle Zara | Galerie Magazine | September 3, 2024
The trailblazing artist is presenting a solo exhibition at Salon 94 in New York, debuting new sculptures in clay, travertine, and bronze that evoke a communal narrative and spirit through repetition
How Raven Halfmoon Channels Indigenous History and Identity Into Her Monumental Sculptures
By Katie White | artnet | September 23, 2024
In this edition of "Source Material," Raven Halfmoon takes us to Indigenous earthworks in Ohio, to visit her horses, and more.
Tina Mion Delves Deep Into Family Trauma While Broadening Her Oeuvre at Kouri + Corrao Gallery
By Camille LeFevre | SW Contemporary | August 13, 2024
Tina Mion ventures into unexplored territory in her exhibition Departures through death spoon sculptures and paintings about her brother’s suicide.
Artist Shines a Light on Dark Subject
By Brian Sandford | The New Mexican | August 6, 2024
Friends refused to visit Tina Mion when she was growing up in small-town New Jersey, as it was not a well-kept secret that her family’s house previously had served as a mortuary.
Is the Art World Finally Ready to Embrace Craft?
Artnet | by Naomi Rae | May 15, 2024
The Loewe Foundation Craft Prize was awarded this week. The exhibition asks big questions.
Joon Hee Kim: You, Me, Us is on View at Kouri + Corrao Gallery in Santa Fe
Ceramics Now - April 9, 2024
Contemporary art gallery Kouri + Corrao is tickled pink to announce Korean-born, Canada-based sculptor Joon Hee Kim’s first solo show in the United States.
VOGUE Living: Burnt out. Hot Design Straight From the Oven
By Marta Puchalska-Kraciuk | March 26, 2024
A return to the roots and at the same time a step into the future: such an incredible marriage of impossibilities is experienced by designers who reuse clay to design furniture and accessories. Here is a selection of 10 unique works of applied art made of clay.
Revealing the 2024 LOEWE FOUNDATION Craft Prize finalists
In case you’ve been wondering “who are the designers of the future?” the LOEWE FOUNDATION’s finalists are the place to look. Shortlisting thirty artists for its 2024 edition of the annual Craft Prize, Spanish luxury fashion house, LOEWE is putting its faith in the future of sustainable design and the emerging artisans behind it.
The Uncommon Practice of Raven Halfmoon
By Jess Ardrey | Little Rock Soirée | January 1, 2024
Raven Halfmoon’s work is hard to miss. Her imposing sculptures purposefully take up space, the clay often shaped into humanistic forms and baked into neutral earth tones cut with searing splashes of red, each with echoes of her Caddo Nation citizenship.
Paula Castillo - 2023 New Mexico Governor’s Awards for Excellence in the Arts
November 1, 2023 | Paula Castillo, Visual Artist, Belén
Indo-Hispanic artist Paula Castillo holds an MFA from the University of New Mexico in 3D Studio, focusing on Contemporary Theory, Human Geography, and Relational Aesthetics.
Coffee and Culture Podcast - Ileana Alarcon
Interviewed by Matthew Chase-Daniel | Santafe.com | October 28, 2023
Ileana Alarcón is a Columbian-American artist currently working with paper pulp to create sculptures which are both familiar and unexpected.
Honoring excellence: Raven Chacon, J.C. Cervantes, Judy Tuwaletstiwa among those recognized by governor
By Kathleen Roberts | Albuquerque Journal | August 20, 2023
Raven Halfmoon’s Monumental Homage To Indigenous Women
By Chadd Scott | Forbes | July 6, 2023
A story this big needs artwork this big.
For her solo exhibition at the Aldrich Contemporary Art Museum in Ridgefield, CT, Raven Halfmoon (Caddo Nation; b. 1991, Norman, OK) debuted her largest sculptural piece to date, Flag Bearer, a three-stacked figure measuring over 12-feet-tall.
Raven Halfmoon’s Monuments to Mothers
Erin Joyce | HYPERALLERGIC | July 4, 2023
Sculpting voluptuous figures with richly dynamic surfaces creates a shared humanity between Halfmoon, the artwork, and the viewer.
“What Was Once the Sea Is Now a Desert”: Jack Craft in Santa Fe
By Michelle Kraft | Glasstire | June 6, 2023
John Robert “Jack” Craft’s exhibition of new works, entitled What Was Once the Sea Is Now a Desert, at the Kouri + Corrao Gallery in Santa Fe, seems — at first glance — to reflect upon these bygone ages.

